Pan Afrikan People's Arktet

2024-03-14T14:31:00+01:00

PAN AFRIKAN PEOPLES ARKTET – Journalismus & Public Relations (bettina-ullmann.de)

"Not Your Standard Jazz…Fresh Sounds From Beyond"
Original compositions from Fuasi Abdul-Khaliq inspired by the great Horace Tapscott and the Pan Afrikan Peoples Arkestra.
The Pan Afrikan Peoples Arktet LP Release Party
Saturday, May 25, 2024 in Kunstfabrik Schlot Jazz Club
Invalidenstraße 117, 10115 Berlin
Reservations: 030 4482160
Concert begins: 21Uhr
Fuasi presents members of the...
"Pan Afrikan Peoples Arkestra and Friends"
About the project
Horace Tapscott and his approach are the condensation nucleus for this project. Tapscott brought the Pan-Afrikan Peoples Arkestra to life in 1961 in Los Angeles. Sixty two years later and right here in Berlin, we are building a contemporary project with a spiritual energy for the 21st century and the challenges we face today. Headed by Arkestra member Fuasi Abdul-Khaliq, the octet brings together the largest number of Tapscott´s disciples living abroad, in addition to the heir to Horace himself, the current conductor and manager of the Pan-Afrikan Peoples Arkestra, Mekala Session, direct from Los Angeles!

Ghasem Batamuntu, who carried the tradition of the Arkestra to Europe with the renowned Rotterdam based Nu Nova Compound.
Havana , Cuba native alto sax prodigy, Regis Molina.
Joel Holmes, the four-time grammy nominated pianist and composer. The innovative bassist Charles Sammons.
Nirankar Khalsa, an outstanding percussionist and drummer who has played alongside Alice Coltrane among others and will give the project a beat you've never heard before.
It will be a night to remember!

ten sax, bass clarinet, flute, bari sax, percussion.

Fuasi Abdul-Khaliq -

alto sax, bari sax, flute

Regis Molina -

sop sax, percussion

Ghasem Batamuntu -

ten sax, clarinet

Sabir Mateen -

piano

Joel Holmes -

bass

Charles Sammons -

drums

Mekala Session -

darbuka, bongos, tablas, percussion

Nirankar Khalsa -

www.horticulturerecords.com

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Exploring "Efuru": A Musical Tribute to Heritage and Connection

Music is often a reflection of personal experiences, cultural heritage, and deep emotional connections. In the case of "Efuru," the title track from Fuasi Abdul-Khaliq's latest LP, the essence of these elements is beautifully encapsulated. This composition is not just a piece of art; it is a heartfelt tribute that intertwines the musician's journey with his familial bonds and cultural roots.
The Birth of "Efuru"
"Efuru" was composed shortly after the birth of Fuasi's first child, Haneefa Niambi Efuru Abdel-Khaliq Roberts, in 1976. This period marked a significant transition in his life, and the song serves as a testament to that transformative experience. The name "Efuru," derived from the Igbo language of West Africa, translates to "Daughter of the Heavens," symbolizing a deep, spiritual connection between the artist and his daughter.
A Tribute to Fatherhood
This composition goes beyond mere melody; it encapsulates the emotions and responsibilities of fatherhood. The act of creating "Efuru" was not only a celebration of new life but also a reflection of the hopes, dreams, and aspirations that Fuasi holds for his daughter. Through music, he expresses his love and commitment to her well-being, a sentiment echoed in the notes and rhythms of the piece.
The Musical Journey
Recorded live at the Schlot Jazz Club in Berlin, Germany, on May 20, 2024, "Efuru" showcases Fuasi's unique style and the rich musical heritage he draws from. The live performance adds an authentic layer to the composition, allowing the audience to experience the raw emotions that fuel the music.
Collaboration and Mastery
The track features outstanding solos performed by talented musicians Mekala Session, Fuasi, and Joel Holmes. Each artist brings their unique flair, contributing to the overall tapestry of sound that is "Efuru." This collaborative effort highlights the beauty of jazz as a genre that thrives on interaction and improvisation.
The Role of Improvisation
Improvisation is a cornerstone of jazz, and it plays a crucial role in "Efuru." The ability of each musician to express themselves freely within the framework of the composition creates an ever-evolving soundscape. This spontaneity not only keeps the music fresh but also allows for a deeper connection among the performers and the audience.
Cultural Significance of "Efuru"
"Efuru" is more than just a song; it is a cultural artifact that embodies the spirit of African heritage. The title itself connects to the rich traditions and stories that have been passed down through generations. By naming the piece after his daughter, Fuasi reinforces the importance of heritage and identity in his musical narrative.
Connecting Generations
Through "Efuru," Fuasi aims to bridge the gap between generations. The composition serves as a reminder of the values and beliefs that shape one's identity. By sharing this piece with the world, he hopes to inspire others to reflect on their own roots and the legacies they wish to pass on to future generations.
Emotional Resonance
The emotional depth of "Efuru" is palpable. It evokes feelings of joy, nostalgia, and reflection, drawing listeners into a world where music serves as a conduit for connection. The melodies resonate with anyone who has experienced the profound bond between parent and child.
The Power of Music in Expressing Emotions
Music possesses a unique ability to articulate feelings that words often cannot. In "Efuru," the intricate harmonies and rhythms capture the essence of love and connection. This emotional resonance is what makes the piece stand out, allowing it to touch the hearts of those who listen.
Legacy of "Efuru"
As Fuasi Abdul-Khaliq continues to evolve as an artist, "Efuru" stands as a significant milestone in his musical journey. It encapsulates the essence of his experiences, emotions, and cultural heritage, creating a timeless piece that will resonate with audiences for years to come.
Impact on Contemporary Jazz
"Efuru" contributes to the broader narrative of contemporary jazz, showcasing how personal stories can enrich the genre. It serves as an example of how artists can weave their life experiences into their work, creating a more profound connection with their audience.
Conclusion
In summary, "Efuru" is a powerful musical tribute that embodies the spirit of connection, heritage, and love. Through this composition, Fuasi Abdul-Khaliq not only honors his daughter but also invites listeners to reflect on their own relationships and cultural identities. As we immerse ourselves in the sounds of "Efuru," we are reminded of the timeless nature of music and its ability to transcend boundaries, connecting us all in a shared human experience.
Listen to "Efuru"
To truly appreciate the depth and beauty of "Efuru," one must experience it firsthand. The live recording at the Schlot Jazz Club captures the essence of this composition, making it a must-listen for anyone interested in the intersection of personal narrative and musical expression.

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NOW AVAILABLE!
BOOK - by the end of the month
VINYL, CD - later this spring

BIENTÔT DISPONIBLE !
LIVRE - d'ici la fin du mois
VINYLE, CD - au printemps

A PAPA/UGMAA Oral History
of Growing Up In Postwar
South Central Los Angeles

by Steven L. Isoardi
with artists of The Pan Afrikan Peoples Arkestra
and The Union of God’s Musicians and Artists Ascension

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In the post World War II era, dozens of young African Americans in South Central Los Angeles found their way to careers in music. In a community facing challenging social conditions and with little to no outside support, they would become artists, supported by the best that their community and culture had to offer, from neighborhood and family to schools and churches, private teachers, formal and informal spaces and institutions, and more than a few unsung heroes.

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“The neighborhood was tough, but it’s not like it is today.... I mean I knew that we were not rich people, but I never, ever felt poor.” — pianist Bobby West

“I was sitting up there tripping off of James Brown, and my cousin came in very angry. ‘You need to stop all that bullshit and get turned on to jazz music, because it’s a way of life.’ That freaked me out, man, and I was freaked for the rest of my life.” — trumpeter Jon Williams

“Our music is contributive, rather than competitive.” — pianist Horace Tapscott

BOOK

/ LIVRE
100 pages (in English)
Front cover illustration and design by Paul Rogers

THE MUSIC FINDS A WAY

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with the PAN AFRIKAN PEOPLES ARKESTRA
and the GREAT VOICE OF UGMAA

LIVE AT LACMA, 1998

HORACE TAPSCOTT

HIGH QUALITY VINYL
12" LP • 180g vinyl • Pressed by PALLAS in Germany
Flip back cover • 2-page insert

Liner Notes by Steven L. Isoardi
Photos by Warren Berman

Side A: Fela, Fela
Side B: Why Don't You Listen?

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with the PAN AFRIKAN PEOPLES ARKESTRA

ANCESTRAL ECHOES
The Covina Sessions, 1976

HORACE TAPSCOTT

CD
Previously unpublished studio recordings!

This CD will include a 16-page booklet
with liner notes by Steven L. Isoardi, statements by Fuasi Abdul-Khaliq, James Andrews, Charles Chandler, Kamau Daáood, Kachina Roberts and Jesse Sharps, photos by Mark Weber and courtesy of the Horace Tapscott Archive and some rare documents.

1- Ancestral Echoes
2- Sketches of Drunken Mary
3- Jo Annette
4- Eternal Egypt Suite

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Pan Afrikan People's Arktet